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That all this could be achieved by one man. Section of Japanese generals, he convinced them to the condition that the Azad Hind Fouj would be the first to step on Indian soil.
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"The Azad Hind Bank he set up and ran was so successful that he was able to repay the loan he had taken from the Germans. Indians across South East Asia joined the army." When arrived in South-East Asia, he injected life into the dying Indian National Army and transformed it into a motivated, solid army ofĨ0,000 committed soldiers, ready to lay down their lives for the freedom of the country. He created an Indian legion there, and made them agree to his condition that this legion would not be used to fight on behalf ofĮuropeans.
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Travelled to Germany and convinced the German administration - the Nazi administration- about the need to set India free from British Imperialists and No official authority backed him in his brave endeavour. He continues, " hardly had any credibility when he left the country in 1941. I wished to bring out the spirit and values he stood for," says Benegal. Leaving out the controversy over his death or hisĭisappearance has not taken away from my film. "This film is my celluloid homage to the leader, my patriotic mission. Netaji Subhash Chandra Bose - The Forgotten Hero spans the years of World War II (1940-1945), leaving untouched the part when he reportedly went missing from TaihokuĪirport in Japan. "I read theĪutobiography of Laxmi Sehgal and met her personally to imbibe the character," she says. Rajeshwari Sachdev, who plays the character of Laxmi Sehgal in the film, says that for her too it was a re-discovery of history. It is as natural a portrayal of the national hero as possible under the Than trying to merely be a physical xerox of the original Netaji. Is that instead of trying to incorporate Netaji's body language and manner of speech, his performance comes out of internalising the character rather I heard his speeches, watched his footage and read extensively to prepare for the role." The result "I studied and lived with the characterįor two years. He says that the film changed him as a person.
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Sachin Khedekar has portrayed the forgotten hero extremely well. "When word went around that I was making this film, letters, papers and information began to pour in from strangers," says The film is the product of painstaking historical, documentary and other research that spanned 18 months. Indian National Army, the battles and that fateful plane trip out of Saigon. Qurbani narrates the story of his leadership of the Ittefaq shows his days in Germany (including a meeting with Hitler, and marriage to Emilie Schenkl), the formation of the "Azad Hind Fauj"Ĭomprised of Indian prisoners of war in Germany, and his journey to Japan in a submarine. The first segment unfolds how Netaji escapes house arrest and tries to enter Russia through Afghanistan. These are headed under Itmad, Ittefaq and Qurbani after Benegal breaks up the narrative in a three-part structure. People do not evenīenegal's film begins with the differences Bose had with Gandhi over the latter's non-violent approach to the freedom struggle, and compromises with Says Benegal, adding, "Few people remember that he challenged Gandhi, and about his transnational activities, nobody knows anything. "Nobody remembers what he did, except to say that he was a great big hero," Netaji Subhash Chandra Bose - The Forgotten Hero - itself tells a story. Release on 23 January, Netaji's birth anniversary. Subhash Chheda of Rudraa Entertainment Private Limited has recently bought the DVD rights to Benegal's film, and the DVD version had its all-India But within a week of its first publicĮxhibition in 2005, it disappeared from Indian theatres, leaving countless Netaji lovers pining for missing out on this historical film. The film won the Nargis Dutt Award for Best Feature Film on National Integration, 2005. Shyam Benegal's 222-minute film Netaji Subhash Chandra Bose - The Forgotten Hero, is like a light at the end of a dark tunnel because few films Of personalities and leaders involved in India's struggle for freedom. With relaxation ofĬensorship codes that prohibited anti-colonial propaganda, this genre drew upon historical events of an anti-colonial nature and narrativised the lives Earlier films likeīimal Roy's Pehla Admi and Hemen Gupta's Netaji Subhash Chandra Bose belong to the typically post-colonial genre. Light on little-known facts about their subjects, and even raise questions that were missed in the course of academic research. They are instead inclined to offer new interpretations of history, shed Filmmakers are somewhat reluctant to explore celluloid translations of history.